ROJA TAMIL MOVIE POSTER PROFESSIONAL
Makes sense - he is your typical Keralite professional at work. J airam has been pretty popular with the Tamil audiences as well as with film-makers. From there it's execution - writing the scenes, Movies: Gossip from the southern film industry The high is when the idea comes, as you are writing you don't know where it was and suddenly it appeals and it comes out and that's the best. Yes, it is tough, nagging, fascinating, troublesome, exciting it comes, it doesn't come and when it comes and promises to be exciting, it disappears. I don't want the actors to please me but to also please themselves. I don't want the actors to just imitate me but also to put something in. You take that scene out and put it in a real situation with people playing that, it takes on a different shape and for that you need these persons to invent also. A character is created on paper or a laptop but is done in the four walls. When I finished the film, I thought I have exhausted everything I wanted to see in the actors and for the next film I don't have anything.īut when you go to a different story, different characters, different setting then you just try to create that character. When I did my first film and worked with actors, I had an idea of what I liked and didn't like. You need to create an ambience and a mood which doesn't jump out and look alien but still looks a part of it.
Since it happens on the sea coast, the sea looks different at different times and it needs different settings for different people. The film was shot in Dhanushkodi, Rameshwaram Thoothukudi and one of the islands in the Andamans.
I finish shooting and I go back, I see something, maybe a procession going on with a father walking by, and incorporate that.Įverything I see at any point of time becomes material for me. What you try to do is to make it as closely right as possible. You cannot get it 100 per cent, as it would then become a documentary. We have to be there, have people who are from that side on to your side and who will make sure that those things are right and you work in tandem with those people. What will they do if it rains? Where will the net be? How is the boat kept? I need to know where they have it in their house. It's not like these are the things that fisherman normally have in their house. It's not like you get a book and take the knowledge from that. What kind of research would one do? You need to know the background and the dialect. She is a small but significant character and we needed an earthy and different face. Sometimes you do casting against the grain. We did audition many youngsters before Gautham and Thulasi. When I cast for a film, it's only with who is right for the role. I don't do a casting coup for the sake of a coup. It's very crucial to make a character or a story believable. It's like fifty per cent of my job becomes easier if I get the correct cast. Sometimes it falls into place fast sometimes we have to do more till we get it right. It's one of good versus evil and the story of an individual caught between sin and redemption. Kadal is set in a fishing village but the story is universal. He had arrived early and was supervising things for the event when he agreed to spare a few minutes for a chat regarding his new film, Kadal. He was here in the plush HICC for the audio launch and the trailer release of Kadali, the Telugu dubbed version of Kadal. It's not often that one sees Mani Ratnam in Hyderabad.
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